Rackstraw Downes
Inaugural Exhibition at the Betty Cuningham Gallery
Exhibition Dates: September 23 - October 30, 2004
Gallery Hours: Tuesday-Saturday, 10 am to 6 pm.
Opening: Thursday, September 23, 2004, 6-8 PM
On Thursday, September 23, 2004, Betty Cuningham will open a new space on the ground floor of 541 West 25th Street with the paintings of Rackstraw Downes. Cuningham, a pioneer in the early days of SoHo, is reopening the Betty Cuningham Gallery, which had made its mark as first Cuningham Ward and then Betty Cuningham Gallery at 94 Prince Street, from 1972 - 82. Following the close of her gallery, she continued as an art dealer joining the staff of two leading contemporary galleries: Hirschl & Adler Modern (1982-98) and Robert Miller Gallery (1998-2004), an interlude of approximately 22 years.
I felt I had had enough experience under my belt to open several galleries. I actually only looked at one space and took it. It is a small mid-19th century building with wonderful proportions. Thanks to our designer, Andrew Ong, we were able to combine the old with the new and, I believe, achieve what I wanted which is a space that is timeless.
The inaugural exhibition, Rackstraw Downes New Paintings, is comprised of approximately 30 paintings completed by Downes, from 1999 to the present, on site in Marfa (Texas), Snug Harbor Cultural Center (Staten Island), Liberty State Park (New Jersey), Millennium Park (New Jersey), and Harlem. Downes, a peripatetic artist who moves with the seasons, has exhibited in New York since the early 1970's. Devoid of narrative, politics or nostalgia, whether in a dark interior attic (as in the Snug Harbor paintings) or industrial views in the five canvases From Marfa to Presidio via the Rio Grid, 2003-2004, Downes locks the viewer into the full view, both in detail and scope, and then rivets the location to a specific time.
Within the last year, Downes has exhibited his drawings at the New York Studio School as well as six of his recent paintings at the Chinati Foundation, Marfa Texas. His work can be seen in the Whitney Museum of American Art, the Metropolitan Museum of Art, and the Museum of Modern Art in New York City, and elsewhere throughout the country, notably in the Museum of Fine Arts, Houston, Colby College Museum of Art, Waterville, Maine, The Hirschhorn Museum and Sculpture Garden, Washington, D.C. and the Museum of Modern Art, Fort Worth.
Downes has published two books of his own writings: In Relation to the Whole: Three Essays from Three Decades, 1973, 1981, and l996. (New York: Edgewise Press, 2000) and Under the Gowanus and Razor-Wire Journal: The Making of Two Paintings, 5.9.99 - 11.15.99, New York: Turning the Head Press, 2000. In the spring of 2005, a monograph on Rackstraw Downes will be released by Princeton University Press with essays by Robert Storr, Sanford Schwartz and Rackstraw Downes.
Click below for full press release.
Rackstraw Downes’s mesmerizing urban landscapes of New York have been acquired and displayed for years by the city’s most influential museums. Yet the painter is decidedly in no rush to meet connoisseurs’ demands. Mr. Downes is celebrated, in fact, for never being in a rush. He takes an entire summer to complete a single oil painting of a street scene, working meticulously from first to final stroke. He paints seven days a week, weather permitting, to get at the plein-air truth of the city’s grit and glory.
Rackstraw Downes work is featured on the cover.
The University of California, Davis, is honoring Betty Jean and Wayne Thiebaud by naming a new lecture series for them. The first lecture will be delivered by artist Rackstraw Downes, a MacArthur Foundation fellow, in May.
