Charles Garabedian

December 9, 2004 - January 22, 2005

CG10407

THE EUNUCH, 2003-2004

Acrylic on paper

48 x 61 in.

121.92 x 154.94 cm

CG10407

CG10408

DANAE, 2003-04

Acrylic on paper

48 x 59 in.

121.92 x 149.86 cm

CG10408

Charles Garabedian

Mythical Beast, 2003-04

Crayon and acrylic on paper

48 x 69 in. (121.92 x 175.26 cm)

CG10409

SEPTEMBER SONG, 2001-2004

Acrylic on canvas

156 x 300 in.

396.24 x 762 cm

CG10405

THE SPRING FOR WHICH I LONGED, 2001-2003

Acrylic on canvas

144 x 288 in.

365.76 x 731.52 cm

CG10406

CG10410

THE ALABAMA AND THE KEARSAGE, 2003-04

Acrylic on paper

48 x 105 1/2 in.

121.92 x 267.97 cm

CG10410

Press Release

December 9, 2004 – January 22, 2005
Opening reception: Thursday, December 9, 2004
6:00-8:00 p.m.
Betty Cuningham Gallery is proud to announce the exhibition of recent works by Charles Garabedian. This show is presented in conjunction with LA Louver (Venice, California) where it originated this past September.

The two grand scale paintings are true to words Garabedian uses in referring to his work: “monumental, archetypal, primal.” Both canvases, The Spring for Which I Longed and September Song, were created during a three-year period (2001-2003) and represent the artist’s largest works to date.

In The Spring for Which I Longed, 12 x 24 feet, two female nudes dominate the foreground. One of the nymphs, dazed, lies cropped along the lower left-hand portion of the canvas on the shore of a seascape. Her counterpart poses demurely against the shape of a mermaid-contoured abstraction. The gradual rising of an ocean’s swell is the backdrop of space in between these figures, with nuances of detail like the faint beginnings of a musical score written against the sea’s frothy surface.  Riding the crest of the wave, at the high point of the canvas, an open eye surveys the scene.  September Song, which measures 13 x 25 feet, depicts a solitary nude figure lying in a simple wooden boat, like an open coffin. The boat drifts close to a small verdant outcropping in a vast sea, while a large ice-mass looms in the distance.

The paintings are accompanied by a series of works on paper, further melding representational and abstract imagery.  Throughout, the artist explores a preoccupation with mythology and literature, producing images which seem unfiltered by this consciousness.  These works are the wild and vivid imaginings of a creative—and well versed—mind.

Garabedian has an extensive exhibition history.  Highlight venues include: The Whitney Museum of American Art Biennial 1975, 1985; San Francisco Museum of Modern Art 1976; Venice Biennale 1976, 1982, 1984; The Hirshhorn Museum and Sculpture Garden, Washington, DC, 1984; The Brooklyn Museum of Art, New York 1989; and The Corcoran Biennial 1993.  Charles Garabedian has the following credits: The National Endowment for the Art Fellowship, 1977; John Simon Guggenheim Memorial Foundation Fellowship, 1979; The American Academy of Arts and Letters Award, 2000.

Click below for full press release.