William Bailey

April 8 - May 7, 2005

WB10059

NORTH OF PERUGIA, 2000

Oil on canvas

36 x 30 in.

91.44 x 76.2 cm

WB10059

WB10358

THE POLISH OFFICER, 2004

Oil on canvas

66 1/2 x 74 3/4 in.

168.91 x 189.87 cm

WB10358

WB10697

UNTITLED, 2004

Pencil on paper

15 1/4 x 11 1/4 in.

38.74 x 28.58 cm

WB10697

WB10360

IMAGINARY STUDIO I, 1999 - 2004

Oil on canvas

57 1/2 x 45 in.

146.05 x 114.3 cm

WB10360

WB10691

UNTITLED, 2004

Pencil on paper

15 1/4 x 11 1/4 in.

38.74 x 28.58 cm

WB10691

WB10828

OVERCAST, 2004-05

Oil on canvas

50 x 60 in.

127 x 152.4 cm

WB10828

Press Release

Friday, April 8th – Saturday, May 7th

Opening reception: Friday, April 8th, 6-8 P.M.

On Friday, April 8, Betty Cuningham Gallery will open a major exhibition of the paintings and works on paper of William Bailey. Bailey, who has shown in New York since the late 1960’s, is particularly distinguished by his quiet still-life paintings and singular figure paintings.

Five large canvases will figure prominently among the Bailey works presented, in which he continues to work with his distinctive color palette and characteristically familiar objects. Bailey does not use photographs or direct observation in his compositions. The objects represented are drawn from the interior, continually shaped and reshaped by the artist’s imagination.

In an interview in 2003, Bailey said about his work, “I wanted to place a figure in a context outside of time, that is, in a more abstract context.” This statement may help to explain why William Bailey does not view himself as a “realist.” The abstract context that Bailey strives to achieve works in part through an erasure of narrative, the imagined characters of his compositions standing aloof from the physical wear imposed by connotations of time or place.

 

The same basic principles apply to Bailey’s figure paintings, although complicated by the addition of human form. In Bailey’s words:

…you can’t escape the fact that you are dealing with another human being…So that even if

you talk about monumentality and volumes fitting together and certain formal aspects of

figurative painting, you can’t escape the fact that before you there is a woman who’s standing,

sitting, smiling, frowning, etc.

William Bailey is Professor of Art Emeritus at Yale University and counts among his many accolades election to the National Academy of Design, membership of The American Academy and Institute of Arts and Letters, and serving as a trustee for the Louis Comfort Tiffany Foundation from 1970 to the present. Bailey has an extensive exhibition history, and his works appear in numerous public and private collections including the Hirshhorn Museum and Sculpture Garden, Washington, DC; Museum of Fine Arts, Boston, MA; Museum of Modern Art, NY; National Museum of American Art, Smithsonian Institution, Washington, DC; among many others.

Click below for full press release.