John Lees

October 23 - November 28, 2015

Hills, 2001-2015 
Oil on canvas
22 x 36 1/4 inches
JL15480

Emil Jannings in The Way of all Flesh (Paramount 1927), 2008 
Ink and graphite on paper
16 x 5 inches
lower right 
JL15448

Man Sitting in an Armchair, -2013 
Oil on Canvas
14 1/2 x 12 inches
JL13945

In the Park/Early Morning, 2015 
graphite, ink on paper
11 x 9 1/8 inches
 JL15458

 

Portrait, 1972; 2005 
Oil on canvas
20 x 16 inches
JL15481

Man Sitting  in an  Armchair, 2008-2015 
Oil on canvas
42 x 36 inches
JL15478

 

42nd Street (Main Title and Dialogue), 2015 
Oil on canvas
24 x 32 inches
JL15486

 


John Lees
In the Park/Early Morning, 2015 
graphite, ink on paper
11 x 9 1/8 inches
JL15458

Press Release

John Lees

October 23- November 28, 2015

Betty Cuningham Gallery is pleased to announce an exhibition of new paintings and drawings by John Lees, opening on Friday, October 23rd.  This will be the artist’s fourth solo show at the Gallery, located at 15 Rivington Street. The artist will be present for an opening reception on Friday, October 23rd, 6 – 8PM.

The exhibition is comprised of 16 paintings and 10 drawings all of which are recently completed, although many were in fact started decades ago. Lees characteristically spends years working and reworking his paintings and drawings. The build up and sanding down of paint, tears, patches and written diary logs of dates are among the physical reminders of the lengthy time spent on each work. In this exhibition, not only are we aware of time spent making a work but also of time, itself, as a subject of the work.

The artist’s father is the subject of six paintings and several profile drawings. The largest painting in this series and, in the show, is Man Sitting in an Armchair (42 x 36 inches, dated 2008–2015). Deep in media as it is in memory, this work features the older man with his Lucky Strikes and drink close at hand.  Lees’ interest in film and music, from the 1920’s through the 1940’s, is apparent in both the works on paper and painting. In the series titled 42nd Street (both on paper and canvas) the title ‘42nd Street’ is the main figure behind which, and barely legible, are the lines of the older Dorothy Brock (actress Bebe Daniels) giving over her role to the younger Peggy Sawyer  (actress Ruby Keeler) in the 1933 film 42nd Street.  In Polka Dots and Moonbeams, Lester Young plays the sax, the musical tone matching blue tones of the painting. In the work on paper titled The Ghost of Dilly Dally, Dilly Dally, an early TV character with whom Lees identified as a child, fades away. 

Lees is the recipient of numerous awards and grants, including the American Academy of Arts and Letters’ Hassam, Speicher, Betts, and Symons Purchase Fund Award; the Francis J. Greenburger Award; the John Simon Guggenheim Memorial Foundation Grant; and the National Endowment for the Arts Fellowship Grant.  His work can be found in a host of public institutions, most notably the Detroit Institute of Art, Detroit, MI; the Fogg Art Museum, Cambridge, MA; The Kemper Collection, Kansas City, MO; the Museum of Modern Art, New York, NY; and The New Museum, New York, NY.

John Lees was born in 1943 in Denville, NJ.  He received his BFA and MFA from the Otis Art Institute in Los Angeles, CA.  He has been exhibiting in New York since 1977 and has been an instructor at the New York Studio School since 1988.  He lives and works in upstate New York.  

The exhibition is accompanied by a fully illustrated catalogue and will remain on view through Saturday, November 28th.                        

For further information, artist biographies, and/or images, please contact the gallery.