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David Bates

New Paintings, Sculpture and Collage

October 20 - December 3, 2011

David Bates, Reclining Nude, 2011

David Bates

Reclining Nude, 2011

Collage on panel

16 x 21 in.

40.5 x 53 cm


Self-Portrait in a Black Chair, 2011, Oil on panel

Self-Portrait in a Black Chair, 2011

Oil on panel

30 x 24 in.

76.2 x 60.9 cm


Green Chair, 2011, Oil on panel

Green Chair, 2011

Oil on panel

60 x 36 in.

152.4 x 91.4 cm


Yellow Self-Portrait, 2011, Oil on panel

Yellow Self-Portrait, 2011

Oil on panel

26 x 14 in.

66 x 35.6 cm


Jan Lee in a Black Chair, 2011, Oil on panel

Jan Lee in a Black Chair, 2011

Oil on panel

30 x 24 in.

76.2 x 60.9 cm


Chair V, 2011, Bronze, paint & patina

Chair V, 2011

Bronze, paint & patina

18 x 5 x 8 in.

46 x 13 x 20 cm



Press Release

David Bates                                                                                                 

New Paintings, Sculpture and Collage                                                    

October 20 – December 3, 2011

Opening: Thursday, October 20th 6 – 8 PM


Betty Cuningham Gallery is pleased to announce an exhibition of paintings, sculpture and collage by David Bates.  A recent addition to the gallery’s roster, Bates will be having his first exhibition at the gallery. The artist will be present for an opening reception on Thursday, October 20 and the exhibition will remain on view through Saturday, December 3, 2011.

While much of Bates’ previous work has focused on widespread themes, such as the Gulf Coast or the devastating effects of Hurricane Katrina, his recent work focuses on objects and people directly involved in the artist’s personal world. “I make art of the things I know,” Bates claims. For example, the chairs, ladder-back or wing, resemble furniture in the artist’s home. They are repeated throughout the exhibition, either as a vessel to contain the subjects of his portraits or as the sole subject, realized in collage, oil paint and bronze.  Similarly, the objects included in Bates’ monumental still lifes- whether it be the precisely arranged flowers or the items strewn atop tables- all are intimately connected to the artist in some manner.

Accompanying the exhibition is a full color catalogue which will include an essay entitled Object-Image-Abstraction by Dana Friis-Hansen, the recently appointed Director and CEO of the Grand Rapids Art Museum, Michigan. Friis-Hansen, who is also a long-time acquaintance of the artist, notes the personalization of the subjects of Bates’ new work and places it within a broader, art historical context; “An avid museumgoer, Bates is a student of painting process, folding lessons from past art into his creative flow. He speaks of revered artist heroes-Hartley, Dove, Marin and Guston- as ‘ghosts in the studio’ whose formal language, gestures or coloration he sometimes touches upon in his own work.”

Born in Dallas, TX, David Bates received a B.F.A from Southern Methodist University in 1975. Bates then attended the Whitney Museum of American Art’s Independent Study Program before returning to his alma mater to receive his M.F.A. in 1978. After graduation Bates began receiving national recognition, exhibiting in museums across the country. In 1987, Bates’ work was chosen for the Whitney Museum of American Art’s Biennial Exhibition. Most recently in 2010-2011 Bates was featured in a solo-exhibition, David Bates, The Katrina Paintings, originating at the Kemper Museum of Contemporary Art and traveling to the Knoxville Museum of Art.

Throughout his career, his work has been acquired by prestigious museums including the Metropolitan Museum of Art, New York, New York; Museum of Fine Arts, Boston, Massachusetts; Whitney Museum of American Art, New York, New York; The Phillips Collection, Washington, DC; Corcoran Gallery of Art, Washington, DC; Hirshhorn Museum and Sculpture Garden, Washington, DC; Museum of Fine Arts, Houston, Texas; Modern Art Museum of Fort Worth, Texas; The Museum of Modern Art, New York, New York and the San Francisco Museum of Modern Art, San Francisco, California.


The current exhibition will remain on view through December 3, 2011.